A Date with Love
A date with dismal disappointment
Spoilers (if you care)
This
movie wasn't bad. Make no mistake it was so far from good that it's
vanished over the horizon, but it wasn't so bad that it felt like
pulling teeth out of your own face with a pair of pliers. No, this
movie was something wholly worse than that. It was indescribably
bland and boring. I love bad movies (as you've likely deduced by this
point), but this film was not even close to that. This was something
that any sane man would dread like devil. It's a Hallmark Original
with a stupid name, abandon all hope ye who enter here.
Date
with Love is a 2016 TV movie
directed by Ron Oliver for The Hallmark channel. For the
uninitiated, the Hallmark channel is a subsidiary of the Hallmark
greeting card company. It's primary trade is in family daytime TV for
the US market, cooking shows and the like. They also, rather
infamously, produce their own movies that premier exclusively on the
channel. And these movies are renowned for their low quality, white
middle class paranoia and fantasising about rich men settling down
with dull women from Wyoming and rich women settling down with dull
army veterans from Michigan or some such guff.
Date
with Love is a dull story about
a dull boy who asks his favourite movie star to prom. She says yes
after a having a break up on the red carpet of her new movie Heart
full of Wind (good god thats a bad title) to improve her reputation.
She instead meets and falls in love with the boys english teacher, a
handsome Soldier-come-author-come-english teacher and the boy falls
in love with his tomboy childhood friend who wears at least 4
brooches at anyone time. I can't remember any names because, frankly,
the characters are just piles of tropes and convention vaguely shaped
like human beings. Like Frankenstein's script.
Everything
about this film is mediocre. Its shot mediocrely, its acted
mediocrely and the production is mediocre too. It screams of apathy
and a lack or inspiration or insight into anything other than the
wants of the stereotypical American housewife. It was made in very
much the same way as a Hallmark greeting card is. As quickly, cheaply
and industrialised a process as possible. But unlike a greeting card,
this movie doesn't inspire feelings of happiness. It only creates
ceaseless boredom that makes the hour and half runtime feel like The
Sorrow and the Pity, and about
as depressing. And they didn't even have the decency to make the
dialogue cringe inducing enough to be memorable. Even the sassy
younger sister isn't memorable as anything other than the sassy
younger sister.
I
was originally going to review two of these together, but the very
idea of a Hallmark double feature fills me with the kind dread I
normally reserve for dentist appointments so you're stuck with just
the one review for now, maybe next year? To cut a short story even
shorter. Movie bad, no watch.



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